Why I Wrote the 7th Python – Part 2
November 16, 2015 at 10:48 am Leave a comment
Reading my journals from 2005-2013 also reminded me of the impact that these 7 years had on my health, my finances, and on my relationships. Going to court is never a cheap option, and the fact that I had to pursue this claim for so long meant that my finances not only were stretched, but finally gave out. These financial worries in turn affected my health, and I had some stress related symptoms that were difficult to control. My stomach kind of rebelled, and my blood pressure and cholesterol levels both increased. I really didn’t need this kind of change in my health at this late stage of life. I’m sure the Pythons never thought about what I had to endure. I am a follower of the Tao, and I have been meditating for about 20 years, so when this struggle was at its worst, I had some tools of self-cultivation to use in order to stay sane and balanced under duress. The journals capture these times.
The legal battle was a bit lop-sided. After all, there were 5 of them (plus Graham’s estate) against me, and their money, fame and influence far outweighed my limited resources. I was suing them for £ 300,000, which is a significant amount of money, but given there were six of them this worked out to only £ 50k each. Given that the money I was owed was revenue from Spamalot, it was not even coming out of their pockets, but was derived from the box office. In this sense, the amount of money (for them) was insignificant. Why did they persist in pursuing it? I still don’t know.
But I knew that I had to pursue this case, partly for financial reasons, and partly for personal ones. I believe in standing up for myself, and not letting others cheat me. This was a wrong done to me, and I just couldn’t let it go. This attitude was instilled into me by my mother. For this reason I have dedicated the book to her for the lessons she taught me.
I thought my saga could be of interest to other people so I decided to write it up. Interestingly, I found that all of the puzzling unanswered questions that had disturbed me at the beginning of the dispute remained to the end. I wanted to share these questions with other people, since I think they offer revealing insights into contemporary celebrity. But I could also see a disturbing pattern in the behaviour of the Pythons during this 7 year struggle. During this entire period, not one Python rang or emailed me wanting to discuss the problem. I was forced to deal only with their lawyers and managers. And when I did reach out to Michael Palin and Terry Jones by letter, it didn’t make any difference.
The only way I could manage to get this kind of overview of the 7 year long ‘little life’ was by working my way through the legal events from start to finish, while charting my own reactions to them. This is what the book does. Along the way it reveals a lot about the Law, about celebrity culture, about Taoism, and about my character and that of the Pythons. As I thought about this legal/personal story, I realised that I would need to fill in quite a few areas that form the context of my time with the Pythons. One was the making of the film in 1973-5 and another was how I got to be the producer of the film. Lastly I realised that some people who bought the book might not know about the Pythons’ history, so I had to tell their own stories as well as the state of British comedy on film and TV in the early 70s. So the book is a mixture of many elements, which I think hold together and illuminate a specific area of contemporary culture.
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Entry filed under: Monty Python Trial, The 7th Python. Tags: celebrity culture, comedy, film, law, Michael Palin, Monty Python, Taoism, Terry Jones, TV.
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